Diego de Torres Villarroel
It would probably be easier to tell you what the 18th century Spanish writer Diego de Torres Villarroel didn’t do. According to his highly picaresque autobiography, Torres did all sorts of different jobs, including working as a bullfighter, dancer, soldier, lock picker, astrologer, and math professor. He was also said to be a prophet, although his apparent predictions of the death of the Spanish King Louis I and the French Revolution were more vague coincidences than actual prophecies.
In 1723, after moving to Madrid, a poverty-stricken Torres was forced to work as a smuggler to get by. One day, Torres’ fortunes changed when a messenger from Josepha de Figueroa, the Countess of Arcos, paid him a visit. The messenger looked pale and sick, and explained that the Countess wanted Torres to come stay at her house. For the past three nights, the Countess’ home had been knocked by loud, unexplained noises.
The Countess was afraid that her house, which was located on Fuencarral Street, was being haunted by a duende. In Spanish folklore, duendes are creatures similar to goblins, tricksters who come into people’s homes to harass them and drive them crazy with loud noises. (Our demented friends from The House of the Lions, the follets, are technically a Catalan variety of duende.)
Torres was skeptical about the story, but agreed to investigate the haunting. When he arrived at the Countess’ house, he found the servants pale and quiet, and the Countess terrified. That night, they all banded together and slept in the same bedroom, Torres included.
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The Castle of La Boca, named after the neighborhood in Buenos Aires where it stands, is a big and beautiful representation of Catalan modernism. It’s also supposedly haunted, which is why many people call the building’s tower “The Ghost Tower.” The eponymous ghost of the tower is said to haunt the top floor, where people have heard anguished shouts and disembodied footsteps.
According to legend, the ghost is a painter named Clementina, a young art student who lived there a century ago. The story behind Clementina’s demise involves a nostalgic rancher, a noisy reporter, and a bunch of mischievous follets, a creature in Catalan folklore similar to gnomes.
The story begins with the estanciera (rancher) Maria Luisa Auvert Arnaud. Auvert owned a very profitable estancia, a rural estate like a ranch, making her one of the wealthiest people in Buenos Aires. In the early 20th century, Argentina was experiencing a great boom in immigration from Europe. Hoping to make some money off these new Argentinians, Auvert bought a plot of land in La Boca and planned to get into real estate.
Despite her French-sounding name, Auvert’s family had roots in Catalonia. On her new land, Auvert hired the Catalan architect Guillermo Alvarez to build a house that would remind her of her family’s homeland. To maximize the Catalan flavor, Auvert imported furniture and plants from the old country, including some mushrooms she put on the balconies.
When the construction was completed in 1908, Auvert was so happy with the final product that she dropped the idea of renting the building and took the house for herself. The Castle should have been her dream home, but Auvert quietly packed her bags after living there for only a year. Nobody knew why she moved so suddenly, though neighbors said they sometimes heard her and her servants yelling at something at night.
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